All Shall Be Well - Expat Cinema Rotterdam
Miss seeing international films because you can’t yet keep up with the Dutch subtitles? Want to meet fellow expats and new Dutch folks? Love cinema? Then this is the event for you! Join Expat Cinema Rotterdam for the best international art house cinema with English subtitles.
Angie and Pat are a well-off lesbian couple in their mid-60s. They have lived together for 30 years in the flat Pat owns in Hong Kong. Their relationship is accepted by their friends and families and they are valued and loved by those around them. After Pat unexpectedly dies one night, Angie is not only emotionally supported by her circle of friends, but also – at least at first – by Pat’s family.
However, little by little, arguments about the burial and inheritance lead to an estrangement. Angie has no legal right to remain in the flat she shared with Pat and is at the mercy of the dwindling goodwill of her dead partner’s family. Even though the couple shared the financial burden equally between them, Pat was the one who took care of everything in their relationship. Supported by her chosen family, Angie embarks on a later-life emancipation journey.
As in his film Suk Suk, Ray Yeung once again takes a precise look at the often precarious everyday life of the older queer community. In the character of Angie, he creates a quiet and yet impressively resilient lesbian heroine.
- 19:00
Kies tijdstip
- filmspecial
Miss seeing international films because you can’t yet keep up with the Dutch subtitles? Want to meet fellow expats and new Dutch folks? Love cinema? Then this is the event for you! Join Expat Cinema Rotterdam for the best international art house cinema with English subtitles.
Angie and Pat are a well-off lesbian couple in their mid-60s. They have lived together for 30 years in the flat Pat owns in Hong Kong. Their relationship is accepted by their friends and families and they are valued and loved by those around them. After Pat unexpectedly dies one night, Angie is not only emotionally supported by her circle of friends, but also – at least at first – by Pat’s family.
However, little by little, arguments about the burial and inheritance lead to an estrangement. Angie has no legal right to remain in the flat she shared with Pat and is at the mercy of the dwindling goodwill of her dead partner’s family. Even though the couple shared the financial burden equally between them, Pat was the one who took care of everything in their relationship. Supported by her chosen family, Angie embarks on a later-life emancipation journey.
As in his film Suk Suk, Ray Yeung once again takes a precise look at the often precarious everyday life of the older queer community. In the character of Angie, he creates a quiet and yet impressively resilient lesbian heroine.
