Waarom Wettelen? - Expat Cinema Rotterdam
Miss seeing international films because you can’t yet keep up with the Dutch subtitles? Want to meet fellow expats and new Dutch folks? Love cinema? Then this is the event for you! Join Expat Cinema Rotterdam for the best international art house cinema with English subtitles.
This dark comedy marks the directorial debut of popular writer Dimitri Verhulst, known for works such as ‘De helaasheid der dingen’.
When family and friends gather to bury the recently deceased Christine, they are informed by her notary that she wished to be laid to rest in Wettelen—a place her husband and children have never even heard of. Shocked but bound by her final wishes, they set off on a traditional funeral procession to the mysterious village, as Christine specified in her will. Along the way, the group slowly realizes that none of them truly knew who Christine was. Old rivalries soon resurface, and by the time they reach her final resting place, all family ties have been thoroughly shaken up.
Kies tijdstip
- filmspecial
Miss seeing international films because you can’t yet keep up with the Dutch subtitles? Want to meet fellow expats and new Dutch folks? Love cinema? Then this is the event for you! Join Expat Cinema Rotterdam for the best international art house cinema with English subtitles.
This dark comedy marks the directorial debut of popular writer Dimitri Verhulst, known for works such as ‘De helaasheid der dingen’.
When family and friends gather to bury the recently deceased Christine, they are informed by her notary that she wished to be laid to rest in Wettelen—a place her husband and children have never even heard of. Shocked but bound by her final wishes, they set off on a traditional funeral procession to the mysterious village, as Christine specified in her will. Along the way, the group slowly realizes that none of them truly knew who Christine was. Old rivalries soon resurface, and by the time they reach her final resting place, all family ties have been thoroughly shaken up.
